Iorga N (1905) Inscriptii din bisericile Romaniei, vol. 1. Etudes Roumaines et Aroumaines, Paris-Bucharest (VI, 45) Mihalcu M (2002) Relatia biserica-icoana-iconar. Vladimir’s Seminary Press, Yonkersīenz E (1971) Geist und leben der Ostkirche. Ouspensky L, Lossky V (1989) The meaning of icons. Schaffer G (1855) Das Handbuch der Malerei vom Berge Athos. Sandulescu-Verna C (1979) Erminia picturii bizantine. Mitropolia Olteniei (1967) Craiova, XIX, 5–6: 408–429ĭuchesne E (1920) Le Stoglav ou les cents chapitres: Recueil de Decisions de l’Assemblee Ecclesiastique de Moscou. Romanian manuscript 1808 Library of the Romanian Ademy, Bucharest Romanian manuscript 2501, Library of the Romanian Academy, Bucharest Since iconography is primarily associated with Orthodox and Eastern Rite Churches, iconography also largely (but not entirely) represents such pictorial represenations as created in a distinctive style: a visual language with roots in ancient Church history. Romanian manuscript 4206, Library of the Romanian Academy, Bucharest A person who practices the art of iconography is called an iconographer. Grecu V (1936) Carti de pictura bisericeasca bizantina. Etudes et Documents Balcaniques et Mediterraneens (Paris), Recueil. Mihalcu M (1995) The patterns used by medieval Romanian painters. Inc., New Yorkĭionysius of Fourna (1974) The painter’s manual. Romanian manuscript 5769, Library of the Romanian Academy, BucharestĬennini CA (1960) The craftsman’s handbook, translated by Daniel Thompson. Stephan became acquainted with Dmitry Shkolnik, an iconographer who for many years studied under Archimandrite Kiprian (Pyzhov). Romanian manuscript 1283 Library of the Romanian Academy, Bucharest Romanian manuscript 1795 Library of the Romanian Academy, Bucharest Romanian manuscript 1555 State Archives, Bucharest Mihalcu M (1984) Romanian medieval values. Universul (Bucuresti), XLIX, May 1, 20: 9 Petrescu C (1932) O consacrare artistica in ziua de Pasti. Conference at the Romanian Atheneum, Bucharest Petrescu C (19 April 1923) Cum zugraveau parintii nostri. Eikon, Cluj-Napocaĭidron P, Durand AN (1845) Manuel d’iconographie chretienne grecque et latine. Mihalcu M, Leonida MD (2009) Din tainele iconarilor romani de altadata. My teacher was named Georgos Makrakis, who is an iconographer, but also is a restorer and a specialist for original gilding with gold leaf on clay base.Mihalcu M, Leonida MD (1981) Les erminies-les “livres” de peinture roumains-témoignages écrits uniques pour l’histoire de la science. In 1998 I start reading Greek newspapers and books.Ģ001 - for the first time I came in inner contact with icons, visiting monasteries all over Crete.Ģ003 Chania, Crete - by joining a program of the government (NELE), it give me the opportunity to became an iconographer, in the main area of Cretan School, 4-Colour –system, gaining knowledge of different materials, fundamentals and little later the oil gilding with Mixion. In 1997 my study of Greek language showed its first results and more demanding conversations were possible. In 1996 I left home behind me and travelled thru the Mediterranean on my way to Crete, where I have been living since.ġ996 was my first contact with the orthodox live and its celebrations. I worked my way through the university by running a cinema-café. My search for the human soul went on at the university in Hamburg, where I studied 16 semesters of psychology, but science couldn’t warm up my heart at all. The knowledge all about wood nowadays is very useful to me when I choose and create most of the wood boards myself. An iconographer in Orthodox Christianity is a practitioner of iconography, the art of icon painting. Because steel and iron seem to me “too heavy”, I later became a carpenter and got my apprenticeship diploma. When I was a little girl he liked to take me to the blacksmith’s shop on weekends, when he worked sometimes for his private use. Already an accomplished artist and art teacher, Nancy has pursued her interest in writing icons as a student of a variety of teachers, including another Russian Orthodox master. Born in 1960 in Hamburg Germany, daughter of a blacksmith.īecause of the early and tragic death of my mother, I have always had an inner voice that accompanied me my whole live – searching for God and Spirituality. Nancy’s Russian Orthodox master iconographer mentor, Ksenia Pokrovsky in Massachusetts, told her it takes at least fifteen years to become a good iconographer.
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